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Alpenglühen: Überleben im Alpenraum auch für Zugelaufene by Oliver Seibt

By Oliver Seibt

Vom täglichen Er- und Überleben auf Hängen und Pisten, in der Küche und am Tresen, von Männern und Frauen, Lehrern und Schüler(inne)n in Bildern, die das Leben in gelb und anderen Farben in den Schnee schrieb. (Never consume yellow snow....!)

Seit vielen Jahren fahren sie gemeinsam Ski. OS zeichnet das Leben drum herum und hat darüber mit UC und anderen viele Abende verbracht. Alle endeten mit vom Lachen schmerzenden Bäuchen...

Wer Ähnlichkeiten findet, darf sie behalten.

Möge der Powder mit Euch sein. (Die einzigen weißen Kristalle, die excessive machen, ohne den Beipackzettel lesen zu müssen.)

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Through a critique of Jenkins, Michel de Certeau's 'textual poaching' also loses some of its radicalism and romance. 53 Fish, op. , p. 336. ), The Cultural Studies Reader, London: Routlcdgc (1993), p. 99. 28 I N T R O D U C T I O N To clarify my own stance, I feel it is necessary to shift away from celebrating audience readings per se, and towards investigating issues of cultural power and the role of these interpretations within the networks of cultural discourse. To pick the kind of example John Fiske churns out in spades, if a working-class family in Brazil were to read Baywatch as a satire of white American consumerism, this might afford them a certain pleasure never anticipated by the show's producers; but this 'subversive' reading does not change their lack of genuine cultural powrcr, for all Fiske's talk in Reading the Popular of 'micro-polities' and 'weakening the svstem from within'.

Ziggy, Ronnie and Mickey may serve as here a useful metaphor for a discussion of abstract theories, but as the next chapter shows, young readers like them were pivotal in the changes to the evolving Batman 'mythos' in 1940. If the circa Second World War counterparts of Ziggy and his pals had rejected the cheerful crimefighter, complete with sidekick, who replaced the more fearsome 'Bat-Man' in spring 1940, the Batman comic might well have failed, the nascent franchise would have faltered, and a promising comic book character might never have become a popular icon: certainly, we would not have had a Robin.

Like a little man in a cloak he is with tiny hands. open with a paradox. Batman's survival as a cultural icon over sixty years can be attributed to his ability to adapt and change with the period. Yet for the first four years of his existence, the opposite appears to be true. The Batman of this period is notable more for his consistency and adherence to an established template than his fluidity; a fact made all the more remarkable when we consider that the surrounding culture was undergoing the profound changes of the Second World War.

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